Edited by Camilla Padgitt-Coles and Nicky Mao

Published by Ab-sens Press, 2013

The book features an interview with light art pioneer Tony Martin from Perfect Wave Mag Vol. 1 tinyurl.com/jss173t4 and an additional interview with Martin conducted by the book's editors and Albert Herter, a forward from the artist's longtime friend and collaborator Pauline Oliveros, and images of light environments, paintings, drawings, viewer activated sculptures and other ephemera from the artist's archive.

Read more about the making of the book on Bomb Magazine's website here: bombmagazine.org/articles/the-variable-place-of-tony-martin/

Via Ab-sens Press:

TONY MARTIN arrived to San Francisco in 1962, promptly forging creative alliances and lifetime friendships with “new music” people Morton Subotnick, Pauline Oliveros, and Ramon Sender. When the San Francisco Tape Music Center moved to its location at 321 Divisadero St., Martin was invited by co-directors Sender and Subotnick to become the Visual Director. With special attention paid to working in the tape music medium, as well as performing regularly, they joined with Mills Center for Contemporary Music in ’67. During the SFTMC days Martin was responsible for numerous visual compositions, including Terry Riley’s In C performance, as well as Sender’s Desert Ambulance. Martin was deeply engaged in experimenting with light via overhead and slide projectors, mixing paint, oil, water, and objects to build his light compositions. His following grew as a culture of psychedelia pervaded the 1960s and his light shows became popular amongst bands such as Jefferson Airplane and Grateful Dead. During this time he began to build "interactions" by engineering entire environments using sensors and mirrors. By the late ’60s he returned to New York City where he continued his focus for these types of installations; time and time again synthesizing his technological skills with painting as a moving image. A painter at heart, he continued to do so with consideration of his experience working with his viewer-activated sculptures, as well as his devotion to the medium of light — maintaining a thread that binds all aspects of his work. His latest piece entitled Proximity Switched Installation (2012) is a clear culmination of a lifetime of experimentation/production. A video demonstration of this installation will be available to view online at the time of the book's release and includes musical accompaniment by Compound Eye (Spring Press) vimeo.com/57408264

THE VARIABLE PLACE is the first book of its kind to tie together over 50 years of Tony Martin's work. It includes an in-depth interview with Martin by Will Cameron, Albert Herter and the editors. As well as a special introduction by long-time friend/collaborator Pauline Oliveros. Available as a limited edition release of 350, 104 pp, full-color, 8” x 10”, perfect bound.